Author Sarah Anne Lloyd
February 5, 2026
Nowadays, we tune in to the Olympic Games to see feats of athleticism, from daring ski jumps to stunning gymnastic routines. But athletics is a narrower focus than in some previous years. From 1912 to 1948, the International Olympic Committee granted medals in five creative events, each with their own subcategories. This is how, from 1928 to 1948, you could take home the gold in something traditionally thought of as a desk job: town planning.
Olympic architecture competitions began in 1912, and the committee split the category into town planning and architectural design in 1928, although there was a pretty significant overlap between the two. While medals for architectural design were awarded primarily for buildings, the town planning subcategory left room for other municipal projects such as parks. Fittingly, many winners in both categories were projects related to athletics; every single gold medal winner across both categories was some kind of arena or sports facility, although that was not part of the criteria for entry.
The only medal the United States won in the town planning category was a silver medal in 1936 to Charles Downing Lay for an ambitious earlier design for Marine Park in Brooklyn. (It’s currently the borough’s largest park, but the original plans would have made it even larger than Manhattan’s Central Park and Brooklyn’s Prospect Park combined.) The victory was heavily overshadowed by its setting in Nazi Germany; that year’s gold medal, judged by a panel composed mostly of German judges, went to two German brothers who designed Reichssportfeld, a venue used for the Berlin Games.
In 1952, the arts competitions were scrapped and replaced with noncompetitive cultural programs such as performances and festivals. Many historians attribute this to how difficult it was to determine who was an amateur artist and who was professional, since it affected their eligibility for the Games. It might be pure coincidence that the committee president that year had entered the literary competition twice without taking home a medal.